Cross-Border Migrations as Inter-Cultural Movements of Translation

Bangkok International Film Festival on Ending Violence against Women and Girls 26-29 November 2015, SF World Cinema, Central World Bangkok | © UN Women
Bangkok International Film Festival on Ending Violence against Women and Girls 26-29 November 2015, SF World Cinema, Central World Bangkok | © UN Women

Especially in recent years, migrations have reclaimed headlines. This applies to migrant movements from Eastern to Western Europe, from the Middle East to Southern Europe and from Asian hinterlands to global metropolises. Without changing the physical geography subtending ever volatile global flows, these movements problematize cultural hierarchies, question modes of place-bound belonging, and destabilize cultural sensibilities.

The primary, even epistemologically privileged, avenue of in-depth encounter with these processes remains literature as a specifically modern genre of dealing with conflicts and contradictions that the global moment of modernity has introduced around the world from its dawn in the 16th century. As late capitalism is apparently succeeded by late modernity, the problems of translation, the geographical territorializations of culture and the renegotiations of territorial distinctions in social, cultural and economic terms, migration  can be reclaimed as a global phenomenon.

Yet, reflection on it needs to be shared transversally, rather than restricted to discursive communities balkanized into separate disciplines. One can see this taking place via calls for papers dealing with the migration-related translations of dislocated cultural experience, the jumbling of contrasting cultural narratives and translocal inscriptions of diasporic, migrant literatures in their host cultures and languages. Similarly, open access to related scholarship can be expected to stimulate germane discussions across area study boundaries.


Cite this article as: Pablo Markin, "Cross-Border Migrations as Inter-Cultural Movements of Translation," in Sociology, Modernity, Art, March 30, 2017, http://sma.hypotheses.org/106.